VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y Palace handmaiden oil painting


Palace handmaiden
mk237 1656 Oil on canvas
Painting ID::  54799
VELAZQUEZ, Diego Rodriguez de Silva y
Palace handmaiden
mk237 1656 Oil on canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden oil painting


Detail of Palace handmaiden
mk237
Painting ID::  54800
VELAZQUEZ, Diego Rodriguez de Silva y
Detail of Palace handmaiden
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden oil painting


Detail of Palace handmaiden
mk237
Painting ID::  54801
VELAZQUEZ, Diego Rodriguez de Silva y
Detail of Palace handmaiden
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden oil painting


Detail of Palace handmaiden
mk237
Painting ID::  54802
VELAZQUEZ, Diego Rodriguez de Silva y
Detail of Palace handmaiden
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden oil painting


Detail of Palace handmaiden
mk237
Painting ID::  54803
VELAZQUEZ, Diego Rodriguez de Silva y
Detail of Palace handmaiden
mk237
   
   
     

         34  35  36  37  38  39  40  41  42   
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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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